And then the twist.
There was never any censorship, all along.
All that happened is that a capitalistic publisher, presumably with the consent of the Dahl estate, issued alternate versions of certain texts so as to generate purchases which otherwise may not have been made.
None of the original texts are out of print.
None of the original texts were going to go out of print.
This was just an attempt by a publisher to appeal to an additional audience, who may not care for the original texts.
There was no censor, no censure, no clamour.
The alarmed audience for this short drama have been misled.
So the moral for this tale is that never get carried away with a panic, even – perhaps especially – when it is an author you once enjoyed (or think you enjoyed) reading yourself.