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The best album of the 90's - Debut vs The Score

Which is the better album?


  • Total voters
    14
  • Poll closed .

milo

Jack L. Jones
Our seventh pairing of the first round sees Bjork up against the Fugees.

Bjork - Debut

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Debut is the first international solo studio album by Icelandic recording artist Björk.[nb 1] The album was released in July 1993 on One Little Indian and Elektra Records, and was produced by Björk in collaboration with artist Nellee Hooper. Her first recording following the dissolution of her previous band the Sugarcubes, the album departed from the rock-oriented style of her previous work and instead drew on an eclectic variety of styles across electronic pop, house music, jazz and trip hop.

Debut received widespread critical acclaim from British music critics, though United States reviewers doled out more mixed reviews. Upon its initial release, the album sold far greater than her label predicted, charting at number three in the United Kingdom and 61 in the United States. It was certified gold in Canada and platinum in the United States, where it remains her best-selling album to date.[7]

Five singles were released from Debut: "Human Behaviour", "Venus as a Boy", "Play Dead", "Big Time Sensuality" and "Violently Happy". All five singles charted in the United Kingdom with only "Human Behaviour", "Violently Happy" and "Big Time Sensuality" charting on dance and modern rock charts in the United States.

Vs

Fugees - The Score

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The Score is the second and final studio album by the hip hop trio Fugees, released worldwide February 13, 1996 on Columbia Records. The album features a wide range of samples and instrumentation, with many aspects of alternative hip hop that would come to dominate the hip hop music scene in the mid-late 1990s. The Score's production was handled mostly by the Fugees themselves and Jerry Duplessis, with additional production from Salaam Remi, John Forté, Diamond D, and Shawn King. The album's guest raps are from Outsidaz members Rah Digga, Young Zee and Pacewon, as well as Omega, John Forté, and Diamond D. Most versions of the album feature four bonus tracks, including three remixes of "Fu-Gee-La", and a short acoustic Wyclef Jean solo track entitled "Mista Mista".

Upon its release, The Score was a commercial success, peaking at the number one spot on both the Billboard 200, and the Top R&B/Hip Hop Albums chart (it was a number-one album on the latter in 1996 on the year-end chart). The singles "Killing Me Softly", "Fu-Gee-La", and "Ready or Not" also achieved notable chart success, and helped the group achieve worldwide recognition. On October 3, 1997, The Score was certified six times platinum in sales by the Recording Industry Association of America (RIAA). In addition to receiving mostly favorable reviews upon its release, the album has garnered a considerable amount of acclaim over the years, with many music critics and publications noting it as one of the greatest albums of the 1990s, as well as one of the greatest hip hop albums of all time. In 1998, the album was included in The Source's 100 best rap albums list, and in 2003, it was ranked number 477 on Rolling Stone magazine's list of the 500 greatest albums of all time.

The poll is open for 24 hours.
 
Only one winner here. Although Björk was/is something totally different than anyone else, it has to be the Fugees.
 
Well Stop! Hammer time but Bjork sounds like a cat when you tread on his/her tail, screechin like a banshee. To be honest i do not like Fugees either.
 
Not so sure on this one.

I certainly prefer listening to the Score, but from memory it has some filler in it. I'd have to listen again before I vote.
 
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Not so sure on this one.

I certainly prefer listening to the Score, but from memory it has sine filler in it. I'd have to listen again before I vote.

It's almost entirely filler. If it wasn't for Killing Me Softly, nobody would have cared. I'm sad to say I got tricked. I've actually listened to Pras's solo effort way more.
 
It's almost entirely filler. If it wasn't for Killing Me Softly, nobody would have cared. I'm sad to say I got tricked. I've actually listened to Pras's solo effort way more.

I think that Ready or Not and Fu-Gee-La are strong too but I would agree that there is a lot of filler and it is certainly not as strong as Lauren Hill's solo album.
 
I've ended up going for Bjork. I loved this album at the time. It has the amazing knack of being risk taking, sounding like no one else but also being really poppy and catchy, a really tough trick to pull off. Bjork was also really smart at choosing who to work with.
 
Best thing about this competition is that I've got some really good stuff to listen to again when on long car journeys. Certainly better than the nerdy podcasts I normally listen to.
 
I have probably listened to The Score more and would pick it up over Debut. However, trying to be pragmatic about it and in terms of musical impact, I'm going to go for Bjork. In much the same way as RATM wasn't my favourite album of the 90's it was a game-changer for metal and music in general. Same feelings for Bjork.
 
AAAaaaaarrrrrrggggggghhhhhh!

I was settled on Debut but thought I should listen to The Score again as I hadn't in ages. Turns out that despite the filler it's still a really good album and I don't think it's really showing much age.

I'd forgotten how it brought that sound that in my head is always known as "French Hip-Hop" (not sure if that's a genuine genre) to the masses.
 
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